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Thursday 11 November 2010

Codes and Conventions of a Thriller

Lighting

  • Low level lighting
  • Shadows/limited view of a character
  • Often at night/dark/eerie
  • Dim colours - red is also used
Setting

  • Isolated/deserted/exotic - desert, ranch, old warehouse.
  • Confined locations - lift, phone booth, cellar, train. (Generic feature of a thriller is entrapment, thus claustrophobic spaces are key.)


Editing

  • Quick cuts/fast pace - enhances anxiety and confusion.
  • Jump cuts - shows erratic tension.
  • Match cuts - links two ideas.


Cinematography

  • Camera angles low/high - plays with and highlights the roles of authority/power within the film.
  • Point of view shot - demonstrates what the character sees.
  • Establishing shot - setting the scene.
  • Close ups - highlight sense of anxiety and tension. Emotions are clearly seen.
  • Frantic camera movements - portrays tense environment.


Non-diegetic sound

  • High pitched music - heightens suspense.
  • Ambience music - helps to create the correct atmosphere.
  • Fast pace music - essential for action scenes.


Diegetic sound

  • Creaky doors/wind/tap running/footsteps - sounds that alert the audience that something is about to happen.
  • Silence - thought provoking.
  • Heavy breathing
  • Whispering
Characters
  • Criminals, stalkers, assassins, down-on-their-luck losers, innocent victims, dark pasts, psychotic people, terrorists, private eyes, drifters.
  • Ambiguous roles - are they good/bad?

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